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La Konstkamer italiana : I"Fiamminghi" nelle collezioni italiane all'età di Rubens : Atti delle Giornate di studio : Roma, Academia Belgica, 9-10 dicembre 2004
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ISSN: 00738530 ISBN: 9074461697 Year: 2008 Publisher: Rome Institut historique belge de Rome

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Book
Landscapes and hunting scenes
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ISBN: 0199210276 0199210411 Year: 1982 Volume: 18/1 Publisher: London New York Oxford Miller University Press


Book
The Eucharist series
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ISBN: 2800501251 9782800501253 Year: 1978 Volume: 2 Publisher: Brussels London Arcade Press Harvey Miller

Cornelis Schut (1597-1655) : a Flemish painter of the High Baroque
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ISBN: 2503504426 9782503504421 Year: 1996 Volume: 1 Publisher: Turnhout Brepols


Book
The costume book
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ISBN: 0905203356 9780905203355 Year: 1978 Volume: 24 Publisher: London Philadelphia Miller-Heyden


Book
Rubens et son temps
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ISBN: 2800501138 9782800501130 Year: 1977 Publisher: Bruxelles Arcade


Book
Anonymous Masters
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ISBN: 9782503530581 9782503530598 2503530591 Year: 2009 Volume: Volume V

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The fifth volume examines all the works painted by anonymous masters. Most works of the 15th and early 16th centuries are not signed. Several of these works have not proved possible to attribute to a known painter or to a master with a provisional name. These works, labelled as anonymous, have been little studied until now, because they are in general thought to be of lesser quality, and because researchers have prioritised the study of more important masters. It is, however, becoming increasingly apparent that these reflect the ongoing production of the time in the Southern Netherlands. Beside the fact that these paintings represent the themes that enjoyed a certain popularity at the time, their study opens perspectives onto the socio-economic context and workshop practice. These paintings could be destined for a broad market and betray different working methods allowing for swift execution in several copies. Furthermore, two of these anonymous works, dating from around 1400 or a little bit later, rank amongst the rare representatives of pictorial production in the Southern Netherlands prior to the technical innovations introduced by the Flemish Primitives. This production is by convention called pre-Eyckian painting.

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